"The Other Swedes"
~ Honoring Them and Them Works ~
G.N. Malm
(1869-1928)
~ Honoring Them and Them Works ~
G.N. Malm
(1869-1928)
G. N. Malm and all he did for the Lindsborg community
~ An account by Mrs. Elizabeth Jaderborg
~ An account by Mrs. Elizabeth Jaderborg
Following the section: G. N. Malm ~ Lindsborg's Swedish Renaissance Man ~ Accounts by Dr. Emory K. Lindquist is another account proving this point, written by Mrs. Elizabeth Jaderborg found in her 1973 Talk About Lindsborg.
Here is Mrs. Jaderborg's account titled:
Here is Mrs. Jaderborg's account titled:
Versatile Nat
"There is an expression, "If you want something done, ask a busy man to do it. "This could be changed to read, "If something has been done, a busy man did it."
"Gustav Nathaneal Malm was busy, clever and willing.
"There was no mistaking the talent "Nat" had, even at a very early age.
"Apparently, it was the same eye for accuracy and simplicity that was evident years later when, it has been said, he could draw a cat in a hundred fewer lines than anyone else. His ability as a caricaturist was uncanny.
"He began his formal studies at the college in Jonkoping, Sweden, his birthplace. Here, at the age of 15, he was awarded a scholarship in art to the Royal Academy of Art. To his life-long regret, he could not accept. His father, a minister, was called to the "American Field," and he had to go along.
"In 1889, in Omaha, Nebraska, he began to develop as a writer and columnist for a newspaper.
"Politics was hot, and in the newspaper business everyone became involved with the issues at stake.
"G. N. Malm was no exception. In fact, the general opinion seems to be that he went out looking for things to "chew" on. His columns were original and enthusiastic.
"They caught the eye of another writer -- a certain C. A. Swensson in a place called Lindsborg, Kansas. C. A. Swensson and G. N. Malm became sparring partners of the press, and linguistic sparks began to fly.
"Swensson had an eye for talent. This man belonged in his scheme of things, he decided. So, he got on a train and headed for Omaha. And in 1893, G. N. Malm and his bride arrived, trunk and trousseau, in Lindsborg.
"Dr. Swensson had promised Malm a job, so he set him to work. "Nat" and Carl Lotave, a young Swedish painter, brought to America by Swensson (and who was later to become one of the outstanding painters in the West) were assigned to paint the Bethany College chapel ceiling -- no holds barred.
"Cherubic Florentine figures and shades of the renaissance began to appear. They painted and they painted. Perhaps under several layers of a tragically unimaginative, long lasting cover-up product, there lay a magnificent masterpiece!
"This was the beginning of a 35-year career in Kansas that was to win this man a place in both "Who's Who" in America and "Who's Who" in Europe.
"His artwork includes at least 37 church altar pieces (including the center painting in Bethany Church), canvases, very successful commercial art ventures, sketches, and watercolors.
"He also designed the intricate altar in Bethany Lutheran Church in Lindsborg.
"Malm's literary works include books and short stories both in English and in an untranslated Swedish- American dialect which reveals a good natured writer who was very much aware of life around him.
"But he was a serious writer, too. In this regard, he contributed to newspapers, trade magazines, American Scandinavian Review, Hemlandet, and international commemorative publications. His play, "Haarute," which concerns the oil industry in Kansas, has won much recognition.
"Musically, he helped hold up the tenor section of the Messiah Chorus, and acted as secretary and historian of the Bethany Oratorio Society for many years. Wherever there was a musical activity, there was G. N. Malm.
"Bethany College was his constant concern. But much of the work he did civically was unrelated wittingly taken for granted because his tremendous ability and vigor came so easily."
**Mrs. Jaderborg, a teacher at heart, made it clear that she was fine with the fact of using her work just as long as credit was given to her. She made that clear in some of her small books, (which were created from her 350 Lindsborg News-Record articles written from 1962 to 1969) coupled with the fact that her initial incentive to write all the stories that she did was for the Lindsborg children then who were not being taught about their own Lindsborg history, (as there were several resources from which they could have used then).
"Gustav Nathaneal Malm was busy, clever and willing.
"There was no mistaking the talent "Nat" had, even at a very early age.
"Apparently, it was the same eye for accuracy and simplicity that was evident years later when, it has been said, he could draw a cat in a hundred fewer lines than anyone else. His ability as a caricaturist was uncanny.
"He began his formal studies at the college in Jonkoping, Sweden, his birthplace. Here, at the age of 15, he was awarded a scholarship in art to the Royal Academy of Art. To his life-long regret, he could not accept. His father, a minister, was called to the "American Field," and he had to go along.
"In 1889, in Omaha, Nebraska, he began to develop as a writer and columnist for a newspaper.
"Politics was hot, and in the newspaper business everyone became involved with the issues at stake.
"G. N. Malm was no exception. In fact, the general opinion seems to be that he went out looking for things to "chew" on. His columns were original and enthusiastic.
"They caught the eye of another writer -- a certain C. A. Swensson in a place called Lindsborg, Kansas. C. A. Swensson and G. N. Malm became sparring partners of the press, and linguistic sparks began to fly.
"Swensson had an eye for talent. This man belonged in his scheme of things, he decided. So, he got on a train and headed for Omaha. And in 1893, G. N. Malm and his bride arrived, trunk and trousseau, in Lindsborg.
"Dr. Swensson had promised Malm a job, so he set him to work. "Nat" and Carl Lotave, a young Swedish painter, brought to America by Swensson (and who was later to become one of the outstanding painters in the West) were assigned to paint the Bethany College chapel ceiling -- no holds barred.
"Cherubic Florentine figures and shades of the renaissance began to appear. They painted and they painted. Perhaps under several layers of a tragically unimaginative, long lasting cover-up product, there lay a magnificent masterpiece!
"This was the beginning of a 35-year career in Kansas that was to win this man a place in both "Who's Who" in America and "Who's Who" in Europe.
"His artwork includes at least 37 church altar pieces (including the center painting in Bethany Church), canvases, very successful commercial art ventures, sketches, and watercolors.
"He also designed the intricate altar in Bethany Lutheran Church in Lindsborg.
"Malm's literary works include books and short stories both in English and in an untranslated Swedish- American dialect which reveals a good natured writer who was very much aware of life around him.
"But he was a serious writer, too. In this regard, he contributed to newspapers, trade magazines, American Scandinavian Review, Hemlandet, and international commemorative publications. His play, "Haarute," which concerns the oil industry in Kansas, has won much recognition.
"Musically, he helped hold up the tenor section of the Messiah Chorus, and acted as secretary and historian of the Bethany Oratorio Society for many years. Wherever there was a musical activity, there was G. N. Malm.
"Bethany College was his constant concern. But much of the work he did civically was unrelated wittingly taken for granted because his tremendous ability and vigor came so easily."
**Mrs. Jaderborg, a teacher at heart, made it clear that she was fine with the fact of using her work just as long as credit was given to her. She made that clear in some of her small books, (which were created from her 350 Lindsborg News-Record articles written from 1962 to 1969) coupled with the fact that her initial incentive to write all the stories that she did was for the Lindsborg children then who were not being taught about their own Lindsborg history, (as there were several resources from which they could have used then).
G. N. Malm was just so good for Lindsborg and Bethany College on so many levels!
For Mrs. Jaderborg's other account, go HERE for G. N. Malm and his Lindsborg's national interior decorating company.
For Mrs. Jaderborg's other account, go HERE for G. N. Malm and his Lindsborg's national interior decorating company.
"Let Us Remember Them"
* * *
Swedes: TheWayTheyWere
~ restoring lost local histories ~
reconnecting past to present
* * *
All color photography throughout Swedes: The Way They Were is by Fran Cochran unless otherwise indicated, or obviously concluded it is not.
Copyright © 2021 www.swedesthewaytheywere.org. All rights reserved.
* * *
Swedes: TheWayTheyWere
~ restoring lost local histories ~
reconnecting past to present
* * *
All color photography throughout Swedes: The Way They Were is by Fran Cochran unless otherwise indicated, or obviously concluded it is not.
Copyright © 2021 www.swedesthewaytheywere.org. All rights reserved.
